#andkai · #whirlwindarttripwithkate · NaBloPoMo 2024 (Dec)

12.13: Infinite Regress

The exhibit prompting the visit to Kansas City’s Kemper Museum of Contemporary Art is called Infinite Regress: Mystical Abstraction from the Permanent Collection and Beyond. It is on view through February 23, 2025.

infinite regress an endless chain of reasoning leading backward by interpolating a third entity between any two entities

Here are a few works that caught my eye.

Amir H. Fallah | Iranian, b. 1979
Between All the Words, My Voice is But a Whisper, a Hum
2023, acrylic on canvas, 48″ x 48″
detail of above
Eamon Ore-Giron | American, b. 1973
Infinite Regress CXVI
2020, flashe on linen, 69″ x 54
John Stezaker | British, b. 1949
left to right, top to bottom:
Kiss, Mask, MASK (Film Portrait Collage), Mask
2024, 2007, 2015, 2022
collage mounted onto acid-free conservation mount card
Shannon Bool | Canadian, b. 1972
Defaced Muse
2018, jacquard tapestry with embroidery, 70-1/10″ × 98-2/5″
detail of above
Friedel Dzubas | American, 1915-1994
Augenblick
1986, acrylic on 17 canvases, 107-1/8″ x 250-3/4″
Maja Ruznic | Bosnian, b. 1983
Plant Secrets II
2024, oil on linen
Simon Fujiwara | British Japanese, b. 1982
Fabulous Beasts (Stripy Fox)
2015, shaved fur coat, 51″ x 33-1/2″ x 1-1/4″

Scale is so hard to convey, but these are all fairly large pieces. Some of them — Dzubas’ 17 canvases — are VERY large. I kept trying to imagine the dimensions of the room in a house (rather than a museum) where that would work.

AND, did you catch that Dzubas was 70 +/- years old when he did that? I guess I shouldn’t be that surprised, given that my own artist husband did a 25′ long canvas when he was 75 +/-.

Age is an issue of mind over matter.
–Mark Twain

Stezaker (above) and Thiebaud & Katz (below) were also doing amazing work in later years.

It takes a very long time to become young.
–Pablo Picasso

Here are a few other pieces, not part of the main exhibition, that also caught my eye.

Wayne Thiebaud | American, 1920-2021
Cakes & Pies
1994-1995, oil on canvas, 72″ x 64″

I love a Thiebaud dessert painting! They’re so colorful & fun.

Alex Katz | American, b. 1927
Coleman Pond II
1995, oil on canvas, 96″ x 72″

This painting is also quite large — I kept the electrical receptacle in the frame for a bit of scale. It’s so big & the blacks are SO black… it took a minute to get pulled in.

Rackstraw Downes | British, b. 1939
Mixed Use Field on Texas Coast
1987, oil on canvas on board,11-7/8″ x 58-5/8″

Oh, I do love a long, horizontal painting. This piece is about a foot high & almost five feet long. It’s very detailed and appears to have been altered (something added or deleted) at some point, given the seam about a foot in from the right.

It was a fun & very fast trip — a Kansas City primer, if you will — and we will definitely go back! There are a lot more museums to visit… and barbecue to eat!


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4 thoughts on “12.13: Infinite Regress

  1. That Coleman Pond painting really strikes me and connects to important memories. I love it. Thank you for sharing!

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